AIAIAI TMA-2 DJ Headphones Review

The AIAIAI TMA-2 DJ have a unique modular design, which is a part of their appeal so that you can mix and match. However, these come as a preset kit with the following components:

• 'S02' drivers
• 'H02' headband
• 'E02' ear pads
• 'C02' cable

You can use other parts in the TMA-2 line, including the headband and drivers, which significantly change the wearing experience and sound profile. You have the option to customize your own modular headphones, or you can buy separate pieces for different uses.

Once assembled, they're sleek, uniformly black in a semi-matte finish, and have subtle branding on the headband. You slide the notched headband through the gap on each driver's housing and connect the cables, giving these a slightly Lego-like experience. It's a matter of preference, but the headband that sticks out the bottom doesn't necessarily make them look very premium. However, it's functional and reminiscent of older DJ headphones, as is the coiled cable. This specific combination only comes in a single color. It's not to be confused with the AIAIAI TMA-2 DJ XE preset kit that uses a different set of drivers, headband, and cable, although they look similar.

The AIAIAI TMA-2 DJ feel satisfactorily comfortable. The faux leather ear pads have a decent amount of give and cushion, but on-ear headphones don't tend to feel comfortable for long stretches. They exert enough clamping force that your ears can ache afterward. The nylon headband is flexible but lacks substantial padding and instead has a silicone inner lining where it meets the top of your head. This feels uncomfortable if you're bald because there's not much to cushion the headband on your skin, and the silicone also catches on long, curly hair. While the headphones are light, their coiled cable's heft is noticeable, and it tends to pull down the headphones on whichever side's ear cup you plug it into.

It's worth noting that part of the appeal of these headphones is the customization at an additional cost. For instance, some of the brand's other swappable headbands appear to have more plush cushions, such as the H03 and H04 which are labeled 'high comfort.' The company also makes straight cables, possibly weighing the headphones down less than the coiled cable.

These are middling for portability. They don't fold down into a smaller footprint, and the ear cups can't rotate to lay flat. As on-ear headphones without much padding, they aren't necessarily big but take up considerable space. You can only make them smaller if you fully disassemble them. Some bulkier over-ear headphones, like the Sennheiser HD 280 Pro 2016, can collapse to a similar size, so if you're considering on-ears because they seem relatively portable, these aren't that different.

The AIAIAI TMA-2 DJ come with a middling case. The drawstring pouch has a mesh lining. It doesn't protect from much besides dust or surface scratches, preventing the cable from getting tangled with your belongings in the same bag. Drops and liquid spills will still reach the headphones inside.

The AIAIAI TMA-2 DJ have decent build quality. You must assemble the parts yourself, but that's certainly easier than building Ikea furniture. The ear cups are well-made in semi-matte plastic with faux leather pads. Each ear cup has a port for the audio cable whether you're a righty or a lefty, or if the headphone output from a device is in an odd spot, this helps you reach it. Their TRS jacks are integrated into the headband to send the signal to the L/R drivers are fine, and so is the coiled cable.

The main issue is that the nylon headband is thin and lacks padding besides a layer of silicone that catches on curly and long hair. In addition, with heavy use, the notches in the headband that adjust sizing and connect to the ear cups can wear out over time. You can replace it, but all the headbands in this modular series use the same notch system. There's also the company's trade-in program, which lets you get a small credit return on your investment if you dislike a component.

These are decently stable. They stay on if you're walking around, tilting your head, or doing a subtle nod along to your music. If you start making more dramatic moves, they can come off. Plus, the weight from the cable pulls at whichever side it's connected to. If you move around a lot, your hair may get yanked by the headband, even if the headphones stay on.

• AIAIAI TMA-2 DJ headphones
• 'S02' drivers
• 'H02' headband
• 'E02' ear pads
• 'C02' TRS audio cable (x1)
• 1/8" to 1/4" adapter
• 'A01' drawstring pouch
• QR code for information webpage

The AIAIAI TMA-2 DJ are bass-heavy headphones. From the lowest bass frequencies through to the mids, they emphasize those regions, leading to a lot of rumble and punch and muddy mids. The high-mid through the treble regions are de-emphasized. Effectively, the bass and low mids overwhelm the de-emphasized higher frequencies where vocal details, bright instruments, and harmonic content in cymbals reside. This sounds like obscured vocal parts and muffled cymbals. You'll hear all kick drums and basslines with a lot of rumble and boominess.

Even for DJ headphones, which usually emphasize bass so you can match rhythms between songs, this is extreme. If you consider popular DJ cans like the Sennheiser HD 25, these also boost bass and low-mids but retain more treble, so you can hear those high-pitched parts, albeit not with perfect accuracy.

The AIAIAI TMA-2 DJ have alright frequency response consistency. Their mid-mids through low-treble is consistent. However, like most on-ears, the consistency of the mid-treble and higher performance varies between wears and different people. You'll also want to take care when placing them on your head because thick hair and glasses can break their seal and impact the bass delivery through the low-midrange. If you DJ, you might have to take your headphones on and off frequently, and these lack articulating arms or swiveling ear cups, which can otherwise mitigate needing to take your cans on and off repeatedly.

Their bass accuracy is very good. In the low-bass region, sounds have a satisfying amount of rumble. The boominess increases towards the mid and high-bass, boosting the notes of basslines and thud of kicks to come across prominently in the mix.

Their mid accuracy is fair. The low-mid region carries on as similarly boosted as the high-bass, leading busy mixes to sound boxy. The low-mid frequencies don't entirely mask the mid-mids, which are pretty accurate for lead instruments, but the sound is uneven and cluttered. The rest of the mids progressively taper off in amplitude, resulting in veiled lead instruments at higher registers like keys and guitar.

The AIAIAI TMA-2 DJ have awful treble accuracy. Vocals lack detail and clarity and get pushed low in the mix, and the harmonics of cymbals come across as unnaturally quiet, dull, and lacking airiness. The exaggerated bass and low mids combine with the strongly de-emphasized treble to create an overly warm treble. Typically, this can alleviate ear fatigue during long sessions, but for many, it's an overcorrection.

The AIAIAI TMA-2 DJ's peaks and dips performance is decent. Their bass is elevated, but it's a gradual peak, so it comes across as thumpy with emphasis on the punchiness of kick drums. The right driver has a narrow dip where the bass transitions into the mids, which thins out vocals and lead instruments. Both L/R drivers have a narrow dip in the center of the mid-range, which yields an uneven sound to lead instruments, but in this case, it alleviates the cluttered sound slightly.

The headphones struggle to control their sound profile in the highs, with uneven dips and peaks. A steep dip in the high-mid and into part of the low-treble weakens vocals, sounding dark and lacking detail. However, this is less obvious than the overall low amplitude of the treble range, which results in dark, muffled sibilant sounds like S and T. The dramatic peak in the treble adds slight clarity, but its effectiveness is limited by the bass and mids emphasis.

The imaging is good. Our unit is the first product by this manufacturer that we've tested. That said, our unit's drivers are well-matched in phase, and their group delay is below the audibility threshold when listening to real-life media content, meaning your audio is transparent and the bass sounds tight. This can indicate good ergonomics and quality control.

During a frequency sweep, a faint pop in the bass is audible, but with music, you won't hear that. One of the drivers of our unit doesn't match the amplitude of the other driver, and with regular media, it isn't necessarily noticeable. It can get annoying when you notice it. It sounds like a very minor shift of the soundstage. Imaging varies between units, so these findings are only valid for our unit.

These have a poor soundstage, but that's expected of closed-back headphones. They don't sound spacious, immersive, or open. Instead of music sounding like it's playing spread out and in the room as with open-backs, these sound focused. This results in your music sounding like it's coming from inside your head.

These have reasonable harmonic distortion performance. Through most of the bass and mids, their signal sounds clean. The low-bass distortion peak isn't too bad, but the high-mid into the treble range adds unwanted distortion to the signal. Since those higher regions are already quite recessed in the headphones' tuning, compared to the lower frequencies, this distortion additionally obscures the details of vocals.

These are the settings used to test these headphones. Our results are only valid when used in this configuration.

The AIAIAI TMA-2 DJ have poor noise isolation, and that's expected from on-ear headphones without active noise cancelling. They only use their closed-back housings, ear pads, and clamping force to seal your ears. As a result, the passive isolation doesn't reduce how much low, rumbly environmental noise reaches your ears, so if you're on the bus, the rumbling engine comes through, and similarly, in a club, the bassy parts of music playing in the room gets through too (this can account for exaggerating the bass in the sound profile to combat the room). The higher frequency din of ambient sounds like chatter gets reduced, but not significantly. Meanwhile, a solid amount of bright, trebly noise like glass clinking is also blocked. They isolate out highs superbly, but not low-frequency noise.

These have good leakage performance. The sound leaked is perfectly acceptably quiet in most spaces, such as homes and offices. What does escape is an uneven and dull version of what you're listening to, with not much low-end. If vocals are mixed high in the audio, they'll remain fairly understandable in very quiet spaces. Still, how much leaks depends greatly on your listening volume.

These don't come with a microphone, but you can buy a separate cable from the manufacturer with an in-line mic and remote. The part is called 'C01 - Cable'.

The AIAIAI TMA-2 DJ have outstanding wired connectivity. Depending on your preference, they come with a single 1/8" coiled TRS cable that plugs into either driver. It twists to lock it into place. The 1/8" jack is slightly bent to keep it out of the way while still being able to fit into tight spaces. You also get a 1/4" adapter that screws on if you need it. The company sells replacement cables if you need one as well.

You can plug the headphones into your PC to listen to audio. They don't have a mic, so you'd need to buy a replacement cable from the manufacturer with in-line controls and a mic.

You can connect the headphones to your PlayStation controller for audio support. They lack a microphone, so if you want to talk with friends during a game, you'll need to buy a separate cable from the manufacturer with a mic and in-line controls.

The AIAIAI TMA-2 DJ can connect to your Xbox controller for audio support. However, they're audio-only, so you'll need to buy a cable from the manufacturer with in-line controls and a mic if you want to chat with your team.