Get insider access
Preferred store
Your browser is not supported or outdated so some features of the site might not be available.
We've recently released our Test Bench 1.8 update for Headphones! Read the R&D Article to learn more about our new direction. As we ramp up and retest products, expect delays in testing new and updating preexisting reviews. Sorry for the inconvenience and thank you for your patience!

Sound Profile Scores and Tests
Headphones

Updated
What it is: The headphones' overall sound signature. The general tonal balance between the bass, mid, and treble ranges of the frequency response. This graph is compensated against our target curve.
When it matters: When you want to find headphones that match your listening tastes.

When buying a pair of headphones, it's important to find ones that sound the way you like. But how can you know what they sound like without listening to them? You can look at their raw frequency response, which tells you how accurately the drivers reproduce each frequency in amplitude. However, if you're just learning to read sound graphs, it can be challenging to interpret this information. Our Sound Profile test is designed to simplify this process.

Although we don't score this test, if you want to know how well the frequency response follows our target curve, you'll want to check out the following articles:

If you want to understand audio quality terminology, look at our sound quality glossary, too.

Test results

When It Matters

Our Sound Profile test is a more novice-friendly sibling of Raw Frequency Response. This test makes it easier to see how the frequency response deviates in relation to our target curve. Target curves are representations of what most people consider 'good sound' based on research and data. While there are a few out there, in our own case, we use a target inspired by research conducted by Harman1,2,3 and informed by other studies in the audio industry4. These works are based on how sound reaches your ears when using good speakers in a semi-reflective room. If you want to get into the details of our target curve, you'll want to check our R&D article, which further explores our process of defining our target curve and the pitfalls therein. We'll keep things a little more surface-level for the rest of the article.

RTINGS.com target curve

The RTINGS.com target curve.

Our target curve can be a good start for finding a sound that suits your needs. It isn't the be-all, end-all of 'quality' sound, though. There's a lot of variation in user preferences, and you may even prefer a sound that's different from our own target. However, using it comes with a couple of benefits. For one, we use the same target for all headphones we test, making it easy to compare different headphones. And, as you'll see below, tests like bass and treble amount (which are formulated by calculating the deviation from our target) can further help you identify a sound you may prefer.

Our Tests

Testing Procedure

To create our sound profile graph, we must first measure the raw frequency response. We use a Brüel & Kjær HATS Type 5128-B (B&K) measurement rig in a room with low ambient noise and minimal sound treatment. We position the headphones on our artificial head and calibrate the testing levels using a 500 Hz test tone, which is adjusted to produce 94 dB SPL for the specific headphone model in testing. This calibration adheres to the IEC 60268-7 standard for headphone and earphone testing, ensuring that our results are consistent with manufacturer specifications and other published frequency response graphs that follow this standard.

Next, we play a test signal—a two-second, 20-20kHz log sweep—using an Audio Precision APx517B Acoustic Analyzer. The signal is presented at a constant level set during the calibration. The headphones reproduce this signal, the audio is captured by the B&K ear simulator (type 4620), and the collected data is then sent back to the analyzer.

Our B&K measurement rig.Our B&K measurement rig.

We smooth our plots and calculations at 1/12th octave, which filters out minor fluctuations in the frequency response that are inaudible to the human ear while still preserving perceptible details. For Bluetooth headphones, we use the Audio Precision Bluetooth Duo module to handle the wireless signal.

We also re-seat over-ear and on-ear headphones five times and in-ear headphones three times to account for slight changes in sound due to variations in fit, positioning, and seal. Each adjustment involves a new set of measurements. In test benches previous to v1.8, we used in-ear microphones worn by human subjects to measure the bass response of on-ear and over-ear headphones, but now we rely on our B&K for comprehensive frequency response measurements. This approach is more standardized and ensures that the ear simulator covers the full range of human hearing. Human measurements are now only used for the Frequency Response Consistency test.

With the raw frequency response measured, all we need to do now is apply our target curve to this response and flatten our curve into a straight line, making it easier to see the sound of the headphones that are under or overemphasized compared to our target. You'll want headphones with big peaks throughout the bass range if you prefer more thump, rumble, and boom in your audio. Conversely, if you like vocals and instruments to sound clear and natural, you'll want to look for a flatter response across the range.

Bass Amount

What it is: The amount of deviation in the bass against our target curve. It represents how much energy the headphones have in the bass range. This number won't tell you how good the bass is.
When it matters: A value near 0dB represents a sound profile that most people will find balanced. A negative value represents a bass-light sound profile, while a positive value represents a bass-heavy sound profile. Use the value to evaluate if it matches your preferences regarding bass quantity.
Score distribution

Bass amount is the amount of deviation between the bass range frequency response and our target curve. In other words, this value will tell you how much bass a pair of headphones produces compared to our target curve. You'll want to look for positive values if you prefer a thumpier, punchier bass than our target. Enjoy less bass? Then a negative amount may be to your liking.

Sennheiser HD 800 S's sound profile.

Bass Amount: -3.2 dB

Focal Bathy's sound profile

Bass Amount: 0.8 dB

Sony WH-1000XM5 Wireless

Bass Amount: 5.3 dB

This test isn't scored, and these values aren't an indicator of 'good' or 'bad' bass. That's where your personal preferences come into play. However, you can use these values to sort through our table or comparison tools to better see the differences between headphones in this range.

Treble Amount

What it is: This number shows how much energy the headphones have in the treble range relative to the mid-range. It won't tell you how good the treble is.
When it matters: A value near 0dB represents a sound most people would find balanced. A negative value represents a warm sound profile, while a positive value represents a bright one. Use the value to evaluate if it matches your preferences regarding treble quantity.
Score distribution

Treble amount is the amount of deviation between the treble range frequency response and our target curve. It'll tell you how much treble a pair of headphones produces compared to our target curve. A positive amount can result in a brighter sound. Conversely, a negative amount may result in a warm sound.

Treble Amount: 0.1 dB
Beyerdynamic DT 770 PRO's sound profile
Treble Amount:  0.6 dB

Like Bass Amount, this test isn't scored either and isn't an indicator of 'good' or 'bad' treble. Your own personal taste will play a role in determining whether this value is to your liking. You can also use Treble Amount as a way to compare different products using our table and comparison tools.

Conclusion

Sound profile is a straightforward way of representing headphones' sound. The raw frequency response of a pair of headphones is compensated using our target curve, so you can easily see which frequencies are under and/or overemphasized compared to our target. The bass and treble amounts also indicate how much deviation away from the target is present in each range, which can be useful if you want to sort headphones by these factors.