The Formovie THEATER is an ultra-short throw (UST) 4k HDR laser projector. It uses the latest ALPD 4.0 triple laser light source, which is supposed to output up to 107% of the Rec. 2020 color gamut, delivering bright and colorful images in HDR10 or Dolby Vision. It can project content at an extremely short distance from the screen or wall: it projects an 80" image at a distance of 5.5" and up to a 150" image at a distance of 19.3". It has three HDMI ports and can passthrough advanced audio formats from Dolby and DTS through its eARC port. It also supports Dolby Atmos. Its MEMC motion compensation technology smoothes out fast-moving content like sports, and it has an Auto Low Latency Mode (ALLM) to automatically switch the projector to a low input lag mode when gaming. It has Bluetooth and Wi-Fi support and comes with the Android TV 11 smart interface with full Chromecast integration. Finally, it comes with an integrated 30W Bowers & Wilkins sound system.
Our Verdict
The Formovie THEATER is good for watching movies. It's bright enough to look good in dim rooms but not bright enough to handle moderately lit rooms. Its contrast is excellent, however, so content looks deep and punchy when the lights are off, so close the blinds and turn off the lights for maximum impact. It has a wide color gamut, but unfortunately, it's not bright enough to make them pop. The projector's color accuracy is inadequate out-of-the-box, with magentas looking too red and cyans leaning strongly toward green. You'll have to invest in a calibrator if you care about color accuracy.
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Wide color gamut that looks especially good in HDR.
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Fully-featured projector with Android TV, three HDMI 2.1 ports, Wi-Fi, and Bluetooth.
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Ultra short throw capabilities, so you can place it very close to the wall or screen.
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Excellent contrast for deep blacks in dark rooms.
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Not bright enough to make colors pop.
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The unit's color space setting is buggy, requiring users to manually adjust it based on the content if they care about color accuracy.
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Inadequate image accuracy out-of-the-box.
- 7.5 Movies
Changelog
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Updated Dec 16, 2024:
We mentioned the newly reviewed Hisense PX3-PRO in the Pre-Calibration Color Accuracy section of this review.
- Updated Aug 14, 2024: Mentioned the newly-reviewed NexiGo Aurora Pro in the Brightness section of this review.
- Updated May 21, 2024: Updated text throughout the review according to Test Bench 0.9, mainly in the Verdict, Compared To Other Projectors and Contrast sections.
- Updated May 21, 2024: We've converted this review to Test Bench 0.9. We've overhauled our Contrast tests, as we now measure contrast at various average pixel levels (APL). You can see the full changelog here.
- Updated Apr 03, 2024: Mentioned the newly reviewed Epson EpiqVision Ultra LS800 in the Brightness section of this review. We also added links to some of our recommendations in the Compared To Other Projectors section.
Check Price
Differences Between Sizes And Variants
We bought and tested the Formovie THEATER. This projector has no variants and is the only model in Formovie's UST Laser Projector line. They sell this model independently, or you can buy it from them with the 100" Formovie Fresnel Ultra-Thin ALR projection screen.
You can see the label here.
Compared To Other Projectors
The Formovie THEATER is a good UST projector, but it's very expensive for its performance. You can get projectors with better or similar image quality for less; the Epson Home Cinema 3800 and BenQ X3000i are cheaper with better image quality, with the BenQ having an equally as good, if not better, feature set. If you're shopping specifically for a UST projector, the Epson EpiqVision Ultra LS300 is cheaper and better. Ultimately, even though this projector truly has excellent contrast, it isn't worth the asking price.
Check out our recommendations for the best 4k projectors, the best projectors for home theater, and the best short-throw projectors. If you'd prefer to shop for a cheaper product, look up the best projectors under $1,000 instead.
The Hisense PX3-PRO is better than the Formovie THEATER. While the Formovie has the slightly better contrast, the Hisense is noticeably brighter, with more vibrant and punchier colors. The Hisense is also more accurate out-of-the-box, even if it's noticeably too warm, and it can be improved more easily than the Formovie through calibration. Finally, the Hisense comes with a wider array of smart, wireless, and gaming features, making it more versatile than the Formovie.
The NexiGo Aurora Pro is better than the Formovie THEATER. They're similar projectors with equally excellent contrast, but the NexiGo is notably brighter. The Formovie has a wide color gamut, but the NexiGo's is incredible; this leads to a more colorful image on the NexiGo, even if neither projector is bright enough to project vibrant colors. Regarding color accuracy, the Formovie has a slight edge both pre- and post-calibration, although they're both underwhelming out-of-the-box. However, if you care about smart features, the Formovie is the better choice, as it comes with a fully featured smart OS, while the NexiGo has a barebones Android TV implementation with no apps.
The Epson EpiqVision Ultra LS800 is a bit better than the Formovie THEATER, although the Formovie has more features; it supports both HDR10+ and Dolby Vision, as well as passing through advanced audio formats through its eARC port, while the Epson is limited to ARC and HDR10. The Formovie also has the much better contrast between the two, so it's the better option for dark rooms. Still, the Epson is much brighter than the Formovie and is a much more accurate projector out-of-the-box. It's also capable of both 4k @ 60Hz and 1080p @ 120Hz on one of its HDMI ports, while the Formovie is limited to 4k @ 60Hz on all of its ports.
The XGIMI AURA 2 is better than the Formovie THEATER, although the latter has the better contrast of the two. Still, the XGIMI is brighter, and is far more accurate out-of-the-box. It's also smaller than the Formovie, and has full auto keystone and autofocus support, making it easier to move from room-to-room.
The Epson Home Cinema 3800 is better than the Formovie THEATER for watching movies, as the Epson is much brighter and is vastly more accurate. The Formovie has better contrast, so it has a slight edge over the Epson in dark rooms. The Formovie also has more features, as it comes with Android TV 11, Wi-Fi, and Bluetooth, while the Epson requires you to purchase an external streaming dongle if you need any smart features. However, the Epson isn't a UST projector, so you must install it further away from the wall or screen than the Formovie.
The Formovie THEATER is noticeably better than the Samsung The Premiere LPU7D. While the Samsung has okay contrast, the Formovie has one of the best contrast ratios we've seen on a projector, making it far superior as a home theater option. It's also brighter than the Samsung, making it a bit more versatile when it comes to having lights in the room. Both projectors are inaccurate out-of-the-box, but the Formovie is a bit less so, and it's far easier to calibrate than the Samsung. Finally, the Formovie has a wider color gamut.
The Formovie THEATER is better than the Hisense PX1-PRO for watching movies. The Formovie has much deeper contrast, so it looks punchier in pitch-black rooms when watching movies. Still, the Hisense is much more accurate before and after calibration, has a slightly wider color gamut, and has better gaming features than the Formovie due to its two HDMI 2.1 ports, which can do 4k @ 120Hz.
The Formovie THEATER is better than the XGIMI AURA, but it's close. Still, the contrast, color accuracy, and color gamut are better on the Formovie, leading to a more vibrant and punchier image overall.
The XGIMI HORIZON Ultra and Formovie THEATER are equally good but excel in different room environments. The XGIMI is much brighter than the Formovie, so it's the better option for rooms with a few lights, while the Formovie has vastly better contrast, so it looks much better in dark rooms. The XGIMI is smaller and lighter, so it's much easier to carry around, especially with its full suite of image correction features, which the Formovie lacks. However, the XGIMI isn't a UST projector, so you must install it further away from the wall or screen than the Formovie.
The Epson EpiqVision Ultra LS300 is a bit better than the Formovie THEATER. The Epson is much brighter and has far superior color accuracy. Still, the Formovie does project a sharper image than the Epson due to its pixel-shifting 4k technology, while the Epson is limited to 1080p. The Formovie also has much better contrast and a wider color gamut, so it looks much better in dark rooms than the Epson.
The BenQ X3000i is better than the Formovie THEATER, although the Formovie is better for watching movies in dark rooms due to its superior contrast. The BenQ is smaller and lighter and has auto keystone correction on the vertical axis, while the Formovie is bulky and has no image correction features. The BenQ is easier to move around if needed. The BenQ has much better brightness and color accuracy and has more gaming features than the Formovie due to its 1080p @ 240Hz capabilities. However, the BenQ isn't a UST projector, so you must install it further away from the wall or screen than the Formovie.
Test Results
The Formovie THEATER projector isn't designed to be portable as it's big and heavy and lacks an integrated battery, so you need to plug it into an outlet. It also has no automatic image correction feature, so you'll need to manually adjust the focus and image geometry. It does have a 30W speaker system from Bowers & Wilkins, so you won't need to worry about connecting it to a soundbar if you move it.
This projector uses a laser light source, which requires no maintenance and will last for 20,000 hours or more, according to Formovie. It's not a true 4k projector, as it uses pixel shifting to create a higher-resolution image. This offers better quality than a pure 1080p projector but isn't as good as a native 4k projector. It's a UST projector, so it can project an 80" image at a distance of 5.5" and up to a 150" image at a distance of 19.3".
This projector has okay brightness, with good brightness uniformity, although we had a hard time getting the top right corner to focus when compared to the rest of the image, as you can see here. It's capable enough for a dark room, but it looks washed out when a few lights are on. Unfortunately, the projector isn't bright enough to make its colors pop even with its wide color gamut.
Our brightness measurements were done post-calibration. You can reach up to 1800 lumens on the unit using the projector's default 'User' color temperature settings while setting the projector's 'Brightness Mode' to 'Office' with the 'Max Vivid' and 'Local Contrast Control' modes enabled. This results in a very inaccurate image, however. We couldn't get the unit near the manufacturer's stated 2800 lumens.
If you'd prefer a brighter projector, consider the Epson EpiqVision Ultra LS800 or the NexiGo Aurora Pro instead.
This projector has excellent contrast, with deep blacks when watching content in a dark room.
The Formovie THEATER has inadequate color accuracy out of the box. Its color accuracy is poor, with magentas looking red and cyans leaning towards green. The color temperature leans very cold, and you can further see this through the projector's mediocre white balance, with most whites leaning towards blue. If you'd like a similar but more accurate projector, consider the Hisense PX3-PRO instead.
The Formovie THEATER has full color calibration and 11-point white balance calibration, and it's vastly more accurate after adjusting these settings. The projector's white balance and color temperature are now fantastic, with barely any accuracy errors. Sadly, while improved, the color accuracy is still only okay, with cyans and purple still slightly leaning towards green and red, respectively, and most colors are somewhat undersaturated.
The Formovie THEATER has a wide color gamut, although you need to adjust the TV's 'Color Space' setting based on the content to get the most out of this projector. We took our Rec. 709 measurements with the 'Color Space' setting set to 'On,' and the Rec. 2020 measurements were done with it set to 'Off.' When the 'Color Space' setting is set to 'On,' it limits the projector's color gamut to the Rec. 709 color space, which overclamps the color space, as it can't fully portray the Rec. 709 color space.
Inversely, when 'Color Space' is set to 'Off' or 'Auto,' it sets the projector to its much wider native color gamut, which is now oversaturated in Rec. 709 but works very nicely with Rec. 2020. 'Auto' is supposed to switch the color gamut based on the content, but it doesn't work correctly as it just expands all content to the native color gamut of the projector.
The Formovie THEATER has Android TV 11.0 built-in with Chromecast support, so you can share your phone or laptop screen directly with the projector. The projector has a 30W Bowers & Wilkins speaker system with two full-range speakers and two tweeters.
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Comments
Formovie THEATER: Main Discussion
Let us know why you want us to review the product here, or encourage others to vote for this product.
Update: We mentioned the newly reviewed Hisense PX3-PRO in the Pre-Calibration Color Accuracy section of this review.
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Hey all! I just wanted to jump in here to address some of the conversations that have taken place on this thread. First and foremost, we appreciate everyone that has taken the time to provide genuine feedback regarding our review of this product and of our projector methodology as a whole. At the end of the day, ensuring that our reviews accurately represent the same experience users will have with the product is extremely important to us, and it’s also something we couldn’t achieve without insight from passionate people such as yourselves. Whether it’s positive comments, or constructive criticism, we do our best to consider everything being said so that we can continue to improve. As Pascal mentioned, our methodology is rather limited when we launch new product categories, so we’ll definitely be taking a lot of this feedback into consideration when we work on future updates to it. That said, I’d like to take the time to remind everyone that our forums are a place for users and enthusiasts to interact and better understand what products might be a good fit for them. They’re also a place where we encourage people to share feedback, and a place where users expect to find genuine information. However, these things can only be successful if a certain integrity is upheld. Unfortunately, our system has flagged potential duplicate accounts in this thread, which is something that risks jeopardizing the goal of our forums. We ask that if anyone has engaged in this activity, that they stop doing so immediately. With all of that in mind, we would never dissuade anyone from being candid. In fact, we encourage anyone with feedback (good or bad) of the work that we do to share their thoughts with is. We simply ask that those who participate in our forums do so with good intentions and aim to reinforce the goals we’ve set out. Thank you all once again for your feedback, we really do appreciate those who provided insight to help us improve the quality of the work that we do!
I just wanted to take the time to call attention to my previous comment. While we encourage genuine feedback and conversation, we want to remind everyone to keep the discourse respectful. This isn’t a place to to be attacking one another or taking shots at the work other people are doing. If you have feedback to offer us, or questions about the work that we do, we’re all ears. Consider this a public warning to anyone operating in this thread. If we see continued abuse of our forums, we’ll be reaching out to those involved personally. Thank you for your cooperation! :)
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Oh big surprise, here is AWOL with their usual conspiracy nonsense. They came in last place at the projectorcentral shootout and have been harassing them and projectorscreen.commabout it ever since. Rtings has made their day by giving the Formovie a 7.1, AWOL has been sharing this review all over the interwebz to make the Formovie look bad. https://www.youtube.com/watch?v=IMHXumLIaNk As I mentioned Brian will do anything to influence you, Ratings.com to change your findings or try to humiliate your company if you don’t. You can see what he’s doing on the Forums. You are doing the UST projector category a great service as he set up his own Shootout two years in a row and has self proclaimed that Formovie is the best UST on the planet. Your review is accurate to a number of other reviews that have been done where Formovie finished last out of the top 9 USTs in the Category. He is the sole reseller in the US for Formovie. Your accurate review of this 1800 Lumen device is the reason your company exists, telling the truth so Consumers will not be fooled or at least get results from a non biased entity. Well done and don’t let Brian or his cronies steer you from your accurate work.. Epson is now suing Formovie for false advertising on their Lumens,
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Your company has substantial expereince with research and testing and congrats on a detailed review on the Formovie. To understand the previous comments in this thread it is important to note that the sole distributor of the Formovie in the US is Projector Screen who also does reviews and sells products on his site, He is known to try and control the discussion on all the blogs by either being a moderator or influencing moderators on popular AV sites. His posse is on this post now trying to dispute your findings and he will stop at nothing to try and control the dialogue. The elephant in the room is your measuement on Lumens. You tried your best to use the brightest modes and could only get to 1800 ANSI Lumens, they Advertise 2800 Lumens and have been for years. Their biggest compaint from customers is that its not bright enough, can’t watch with the lights on, Dolby Vision is unwatchable and HDR is very Dim. Thanks for your honest opinion and shedding some light :) on this device..
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Hi tbob19, That’s a great question! From a discussion with our tester who has tested & evaluated the projector, it was unfortunately not possible to fix the Rec.709 issues via the settings on the projector. What’s built into its firmware (at the time of testing) doesn’t allow you to clamp properly to the correct color space.
That’s unfortunate. Sounds like it could use a firmware update.
When I saw the Theater I was quite impressed for a projector - black levels were solid on an ALR screen, I didn’t spend much time with it but impressions were quite good versus some of the other UST’s I have seen. HDR colors were definitely popping, even more than I’m used to even on OLED.
I did notice some rainbow and a bit of laser speckle but it wasn’t too bad. I did not feel like it was lacking in brightness in a light controlled room, but if you’d put next to a much brighter display then maybe it would be noticeable but I generally don’t find high brightness to be all that important for a dedicated room projector as long as it can hit near 80-100 nits or so on the needed screen. Contrast and color are far more important in my view unless you’re fighting alot of ambient light - then maybe it’s better to look at a TV anyway.
I have a 6050UB in my own theater and run it in eco with fixed iris (adjusted for best balance of brightness and contrast depending on lamp hours), it’s plenty bright while using MadVR for much better dynamic HDR tonemapping.